Since 1970, the Neve 1073 has been one of the most acclaimed preamps and EQs in the recording industry. Pop recording (as opposed to classical or acoustic jazz) has never been about capturing accurate sounds and many preamps designed to be transparent can sound dull in this context. The new 1073 SPX could never be described as dull, rather, it has an almost supernatural ability to bring recordings to life, all the more important in the modern era of digital recording. Used in conjunction with the output-level pot, the unit can be driven hard with gain to produce a gently saturated tone, while easing back on the input and increasing output will deliver a cleaner signal. The 1073SPX features a Neve 1073 class A design microphone preamp and the classic three-band EQ, which includes a fixed high-frequency shelf, two selectable bands with boost and cut capabilities, as well as a high pass filter. The big, punchy sound of the 1073 ® compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Cart All. We show you how to start making beats in no time, Using the effects Ducker feature, we can easily create more space within our mix, Learn how to edit velocity, pitch, pitch bend using Key Editor, In-Place Editor and more. Up until now, the only full-facility rackmounting option was the dual-channel 1073 DPX (reviewed in SOS March 2015), in which the original circuitry is loyally recreated but extended to incorporate additional features appropriate to today’s working practices and technologies. It gets remarkably close to the original’s legendary sound and represents something of a bargain if you build it from the kit – plus, you get all the DIY fun,too. But if start hearing any funny business, you can bet that I will update this review. Sometimes you don’t need to spend the earth to get great software. The 1073SPX has a Neve 1073 ® Class A design microphone preamplifier, with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter, which adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and captures a more precise image – embodying, think many engineers and producers, the essence of the genuine Neve … The classic Neve 1073 input module was designed for a bespoke mixing console called the A88, built for Wessex Studios (which, sadly, is now long gone!) Learn why the producer and label owner made 75 tracks in 50 days for her new album and how a SZA collaboration happened over SoundCloud. Offers (1) Similar products. A fixed-frequency high-shelf equaliser (±16dB at 12kHz) is followed with two coaxial controls for the switchable-frequency mid-bell (±18dB at 0.36, 0.7, 1.6, 3.2, 4.8, or 7.2 kHz) and low-shelf (±16dB at 35, 60, 110 or 220 Hz) sections. Neve 1073SPX Microphone Preamp & EQ . Recommended offers. As legendary analogue recording equipment goes, the Neve 1073 microphone preamplifier is right up there with Neumann mics, Pultec equalisers and Fairchild limiters. The DDA recording was clean and a little clinical, with little of the Neve’s big-hearted character, while the Lola – a 1073-inspired design – gave a decent approximation of the classic Neve sound, but couldn’t quite match the real thing, lacking a touch of body and focus. AMS Neve. Neve now offer several variations of the 1073 but the latest, launched to mark its 50th birthday, is like no other: with the eight-channel, rackmounting 1073OPX, Neve have reinvented the 1073 to suit modern DAW-based workflows, and to that end, it boasts remote-controllable preamps, stereo monitoring facilities, and an optional digital interface card. Using the EQ to reduce muddiness at 360Hz and helping the bottom-end with a slight 60Hz boost produced a wonderful bass sound, even before compression was used. Microphone and Line inputs can be accessed on both the front and rear of the unit; the white push-button switch labelled Front must be engaged to route the audio to the combo connector on the front panel. More shelving is available at the bottom end with Low-band frequency choices of 35Hz, 60Hz, 110Hz and 220Hz. 00. The 1073 SPX enhances the original input module design very sympathetically to provide facilities better suited to current working practices. Page 1 of 1 Start over Page 1 of 1 . The book has inspired me to try out some of the techniques described – a desire that coincided with the arrival of the subject of this review: the latest development of AMS Neve’s classic 1970s preamp and EQ, the 1073DPX. Post review. 00. Outboard Gear. The AMS Neve 1073SPX features a Neve 1073® Class A design microphone preamplifier with 3-band EQ (fixed RF plus two switchable bands with cut/boost function) and high-pass filter. : Montreal, QC. Given the very close similarity of the 1073 DPX and SPX models, I won’t cover every detail here, but please read my DPX review online (http://sosm.ag/neve-1073-dpx) for a more in-depth account. Dropping the unit’s impedance to 300 Ohms, a Shure SM57 used as a spot mic on a snare drum produced a suitably ‘phat’ sound, with added crispness provided by a 7.2kHz lift. Neve’s legendary mic preamplifier receives a modern makeover, with input from the original designers. Price history. The legendary sound has been the secret ingredient to some of the top recordings over the last 40 years, all due to its big and punchy sound that compliments any genre of music – from rap to rock to classical. All of the latest Neve 1073 models are produced to the exact specifications of the original modules to maintain its sonic characteristics. Other, less expensive units get close to the 1073’s legendary sound but only Neve offer the real deal, the genuine sound resulting from the exclusive use of Marinair transformers unavailable to copyists. in Islington, London. Time and again, the 1073 SPX delivered the goods, making everything that passed through it sound bigger and better than lesser preamps. Reviews. Price Guide. Along with pride of ownership comes peace of mind – Neve are a long-established company with an excellent reputation. Otherwise, this thing is amazing! As with the DPX, the SPX version expands on the original 1073 module by incorporating an instrument (DI) input, phantom power, balanced insert send and return, level metering, and both front- and rear-panel connectors.
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